Fetishizing Black American Music

In the age of information channels that require no qualifications to reach millions, college juries where young jazz musicians are rated on a scale of 1 to 10, and mass exportation and exploitation of black culture, Amiri Baraka’s essay, “Jazz and the White Critic” on the faults and arrogance of white criticism of jazz music […]

Conversation with NEA Jazz Master, Sheila Jordan

Recently for my Jazz History class at school, I was tasked with interviewing a musician connected with the bebop movement. Sheila Jordan, a friend and mentee of Charlie Parker’s, Duke Jordan’s former partner, a former student of Lennie Tristano (said by Max Roach to be the leader of the “downtown” school of bebop), and of […]